From 10 May To 10 Sep 2017

Alberto Giacometti Retrospective

Tate Modern
London, UK
Off site

Tate Modern presents the UK’s first major retrospective of Alberto Giacometti (1901-1966) for 20 years. 

Celebrated as a sculptor, painter and draughtsman, Giacometti’s distinctive elongated figures are some of the most instantly recognisable works of modern art. This exhibition reasserts Giacometti’s place alongside the likes of Matisse, Picasso and Degas as one of the great painter-sculptors of the 20th century. Through unparalleled access to the extraordinary collection and archive of the Fondation Alberto et Annette Giacometti, Paris, Tate Modern’s ambitious and wide-ranging exhibition brings together over 250 works. It includes rarely seen plasters and drawings which have never been exhibited before and showcases the full evolution of Giacometti’s career across five decades, from early works such as Head of a Woman [Flora Mayo] (1926) to iconic bronze sculptures such as Walking Man I (1960).

Born in Switzerland in 1901, Giacometti moved to Paris in the 1920s where he became engaged with cubism and latterly joined the Surrealist Group in 1931. Celebrated works such as Woman with her Throat Cut (1932) reveal Giacometti’s engagement with surrealism as well as his powerful explorations of brutality and sadism. A wide range of the artist’s large scale sculptures are also showcased alongside his drawings and books. Other works like Untitled (mask) (1934) demonstrate his engagement with the decorative arts, while Man (Apollo) (1929) and The Chariot 1950 show his preoccupation with Egyptian and African art. The exhibition reveals how Giacometti, perhaps more than any other artist of his day, fused the ancient and the modern and broke down barriers between the decorative and the fine arts.

 

Giacometti left Paris in 1941, relocating to Geneva until the end of the Second World War. Having moved away from surrealism, he became interested in scale and perspective and began to work on much smaller sculptures in a more realistic style as in Very Small Figurine (c.1937-9). Following the war and his return to Paris, Giacometti began creating the elongated figures for which he is best known.  Working from life, his preoccupation with the alienated and isolated figure became an important motif, embodying the post-war climate of existential despair. The exhibition includes an astounding selection of such masterpieces including Man Pointing (1947), Falling Man (1950) and The Hand (1947) as well as many of Giacometti’s major paintings like Diego Seated (1948) and Caroline in a Red Dress (c.1964-5).

 

While Giacometti is best known for his bronze figures, Tate Modern is repositioning him as an artist with a far wider interest in materials and textures, especially plaster and clay. The elasticity and malleability of these media allowed him to work in an inventive way, continuously reworking and experimenting with plaster to create his distinctive highly textured and scratched surfaces. A large number of these fragile plaster works which rarely travel are seen for the first time in this exhibition including Giacometti’s celebrated Women of Venice in 1956. Created for the Venice Biennale, this group of important works are brought together for the first time since their creation.

 

The exhibition also explores some of the key figures in the artist’s life who were vital to his work including his wife Annette Giacometti, his brother Diego and his late mistress Caroline. Giacometti’s personal relationships were an enduring influence throughout his career and he continuously used friends and family as models. One room in the exhibition is specifically dedicated to portraits of Diego and Annette demonstrating Giacometti’s intensely observed images of the human face and figure.

 

Alberto Giacometti is curated by Frances Morris, Director, Tate Modern and Catherine Grenier, Director, Chief Curator, Fondation Alberto et Annette Giacometti, Paris with Lena Fritsch, Assistant Curator, Tate Modern and Mathilde Lecuyer-Maillé, Associate Curator, Fondation Alberto et Annette Giacometti. The exhibition is organised by Tate Modern and Fondation Alberto et Annette Giacometti, Paris. It will be accompanied by a catalogue from Tate Publishing, co-edited by Frances Morris and Lena Fritsch, in collaboration with Catherine Grenier and Mathilde Lecuyer-Maillé.

Publications

Giacometti

Tate Publishing, London, Fondation Giacometti, Paris, 2017

Language: English

304 p.
21 x 26 cm
24,99 £

ISBN 978-1-84976-504-6 (Hardcover)
ISBN 978-1-84976-460-5 (Softcover)

Videos

Alberto Giacometti | TateShots

Tate Modern, London, Giacometti promo clip

Press release

Valérie Duponchelle - Un trésor de sculpteur - Le Figaro - 30 mai 2017

The Unsolved Mysteries or Alberto Giacometti - Apollo Magazine - 14 juillet 2017

Philipe Dagen - Giacometti, une oeuvre tout en continuité - Le Monde - 26 juin 2017

Hidden Figures - Giacometti's 'Women of Venice' at Tate - 3 avril 2017

To search for a work, consult the Alberto Giacometti Database